Creating a Practise Nest – Piano Teacher in Wallsend, NSW

Would you sleep soundly if the only place you could sleep was in the middle of your laundry while the washing machine and dryer were operating?

How productive would your work be if half the items you needed to do that work were not to hand?

If you were trying to study, would your effort be effective if you were banished to a cold, musty downstairs room away from the warmth and comfort of the main house?

Of course, we are more successful in what we do if we have everything we need, are in the best environment and are nice and comfy. It’s no different for our piano practise. If going to the piano is lonely, uncomfortable and disorganised, chances are you (or your child) won’t feel inclined to practise. What can we do to help?

We can create a ‘practise nest’. A place that is welcoming, comfortable and organised.

The wonderful folk at Teach Piano Today have provided some great tips for creating such a space. While they have been written for parents of piano kids, the same tactics apply for adult students; create a nest where you feel comfortable and have everything you need before you begin.

Piano Teacher in Wallsend NSW1. When choosing a location for your piano, select a space that is lived-in, welcoming, and well-lit. Keep it close to ‘the action’ but not in the action. Your children will gravitate to the piano more often if it is in a central place in your home. Avoid bedrooms, basements and other ‘put away’ places. Feeling shut-off from the family while practising will inevitably lead to a reluctance to spend time on the piano.

While choosing an appropriate space, also consider the noise factor; not only from the piano, but also from your family’s day-to-day activities. Your children want to be close by, but not competing with noise from televisions, dishwashers and washing machines.

2. Make the space warm and welcoming. Your children will be encouraged to spend upwards of 30 minutes every day in this space. Is it a happy place to be for this amount of time? Small adjustments to lighting and heating can make a world of difference. Seek out places with natural light and ensure it is a cheerful and welcoming space that will encourage your child to visit the piano often for their own enjoyment.

3. Ensure your children have all required materials at hand. Help your children put together a small basket or bin of everything they may need for home practise. Pens, pencils, highlighters, and post-it notes will give your children a sense of organisation that will then spill over into their practise habits. Your children will also need adequate lighting to see their music, and a comfortable bench at the correct height to practise comfortably and correctly.

4. Make the practice nest a communal space.  Children of any age appreciate company while they practise. Having a chair, couch, beanbag chair or pillows nearby where family members will be inclined to sit, listen and enjoy the music immediately sets the tone for happy time on the piano. Encourage siblings to stop by and listen quietly, and allow yourself even just 10 minutes to sit and listen with undivided attention each time your children practise. A set-up that is conducive to including the family in home practise will encourage everyone involved to make piano practise an activity the entire family can be a part of.

5. Set the stage for organisation. Ensure your children’s practise space is uncluttered and organised. Clear out old sheet music and books from the piano bench, use a magazine organiser to hold current and favorite materials, and minimise knickknacks and other distractions from the top of the piano. If you can, avoid having the piano room do “double-duty” for laundry, toys and other clutter. Having the books your children need at their fingertips reliably ensures that no time is spent searching for lost or crumpled music. Get into the habit of placing the piano books in their appropriate space immediately after each piano lesson so they are ready and waiting.

Plus one more! Adding small surprises to your children’s practice nest (fresh flowers, a hand-written note of encouragement, a small treat, a new sticker pad, a special pen etc.) helps to show that you value the time they are spending on the piano and that you appreciate their efforts and dedication. Preserving the “specialness” of their practise space encourages positive feelings towards their home music time.

If you are considering music lessons for your child or for yourself, please contact me to discuss the options. Piano lessons are conducted at my studio in Wallsend, NSW.

How to Practise Away From the Piano – Piano Teacher in Wallsend, NSW

It’s that time again… How do the holidays seem to come around so quickly? We’re no sooner getting into the swing of the term and the term is over.

Spring is in the air and we are picturing sunny days spent running around outside, all cares and responsibilities momentarily suspended. It’s a beautiful thought, isn’t it? But the reality is a little different. For those still learning in the early years/grades, for every week spent away from the piano, about two or three weeks’ work is undone. Have a break from practising in the holidays and you’ll find it harder to catch yourself back up on the other end.

So it goes without saying that I expect my students to maintain practise over the school holidays… although I also realise the reality is quite a different story.

Piano Teacher in Wallsend NSWHowever, for those who are going to be away from their piano for a period of time, standard practising obviously isn’t possible. I have posted before about ways to practise away from the piano, but that was more about keeping your repertoire fresh in your mind.

Val has written a great post over at takelessons.com that will run you through a host of activities you can do to enhance and maintain your technique while you aren’t near your piano, or are pressed for time. She has even included great infographic summaries you can use. Check it out and discover the things you can do to help your body form habits that will help you when you are back at the piano.

If you are considering music lessons for your child or for yourself, please contact me to discuss the options. Piano lessons are conducted at my studio in Wallsend, NSW.

App Review “Music for Little Mozarts” by Alfred – Piano Teacher in Wallsend, NSW

Can you tell whether sounds are a low or high pitch?

Is the music going up or going down?

Does what you see match what you hear?

Beethoven Bear and Mozart Mouse are here to help you out!

‘Music for Little Mozarts’ is an app that was conceived for preschool and kindergarten-aged students, but if you don’t mind the cuteness, it is helpful for beginners of all ages. I mostly use it with students to help develop aural awareness, but it also contains some basic note recognition  and rhythm games.

This app corresponds with the the Music For Little Mozarts piano method books (published by Alfred), but the activities are still extremely useful even if you aren’t using those method books.

The following image shows the range of activities available in the app:

Piano Teacher in Wallsend NSW

Piano Teacher in Wallsend NSWThe two I use most are the first two, as they are great early ear training activities asking only to tell the difference between two things. Is the note played a high note or a low note and are the notes going up or down? The interface is easy… just tap the red circle to hear the sound and then drag the same circle to either Beethoven Bear or Mozart Mouse, depending on your answer. For example, the image on the right shows the ‘Notes Going Up or Down’ activity. The student taps the red circle and hears a succession of notes. If they think the melody is moving from lower to higher notes, they drag the circle up to Mozart Mouse sitting at the top of the staircase. If the think the melody is moving downwards, they drag the circle to Beethoven Bear.

The app will not let the circle stay in the area of the wrong answer; it needs to be answered correctly before moving on to the next question.

Some of the activities don’t require the student to answer a question and act more as a teaching reinforcement. The child can play any note on the keyboard and the app will show them where it sits on the staff. After that, they can move on to the activity where they need to identify the keyboard location of a note after seeing it on the staff.

Piano Teacher in Wallsend NSWThe app also has a simple rhythm exercise, using the note values that are commonly learnt in their first few lessons. Beethoven Bear and Mozart Mouse are each standing under a different rhythm. The student taps the red circle to hear a rhythm and then drags the note to the character standing under the rhythm they think is correct. Once again, the question needs to be answered correctly before moving on.

Aural training is such an integral part of a complete music education, so it’s great to find an app that approaches it in such a simple way for beginners. The first two activities are also great for discovering the aural capabilities of a new student… but they don’t even know you’re testing them.

If you are considering music lessons for your child or for yourself, please contact me to discuss the options. Piano lessons are conducted at my studio in Wallsend, NSW.

 

 

Using Piano Pedals – Piano Teacher in Wallsend, NSW

When new students start with me, I always open up the piano and let them see the inside and how it works. Nearly without exception, the part that fascinates them the most is the mechanism for the pedals. They love to play with the pedals, as they can see and hear at the same time the differences depressing and releasing the pedals make.

The two or three pedals on your piano help make your playing dynamic and interesting, helping to provide tonal shading. However, there’s usually a fair bit to learn before the pedal can be introduced; you need to crawl before you can walk. By the time they get to use the pedal, students are usually pretty keen!

Correct use of the pedal involves placing your heel on the floor in front of the pedal so the ball of your foot rests comfortably on the pedal. Angling the ankle downwards should then depress the pedal, while bringing the ankle back up again (gently, or it will ‘clunk’) will release the pedal. Your heel should never leave the floor while pedalling as it is the pivot point. In the same way that playing the keys relies heavily on maintaining a loose, flexible wrist, playing the pedal relies on a flexible and comfortable ankle joint.

Composers use a few different ways to indicate when to depress the pedal, when to release it, and when to make a quick up-down pedal change. The picture below shows the different notations you will regularly see. A notch in the pedal line indicates a quick pedal change; lift your foot enough to allow the pedal to clear, and then quickly press the pedal down again.

Piano teacher in Wallsend NSW

Each instrument has its own pedal personality and you will learn the idiosyncrasies of your own over time, just as with the rest of the piano.

The right pedal:

The pedal used most often is the right pedal, called the sustain or damper pedal. It has two main functions:

  1. Allows the sound to continue after the keys are released.
  2. Bringing a deeper, richer and more resonant quality to the timbre of the sound.

One thing that pianists tend to overlook is that during the Classical period (the generation of Haydn, Mozart and Beethoven, or roughly from 1750 to 1820), the sustain pedal was a special effect. Therefore it should be used carefully when playing their music.

The left pedal:

The left pedal is called the una corda or soft pedal.

The main function of the soft pedal is to change the timbre of the sound, making it sound more distant. It can create a hushed atmosphere. Making the sound softer is of secondary importance – you should be able to play pianissimo (very softly) without it.

When the composer wants you to use the soft pedal, you see the indication una corda. Release it when you see the indication tre corda

Frank Hutchens’s ‘Two Little Birds’ requests at the beginning that both pedals (meaning right and left) are used simultaneously. The soft pedal gives the quiet atmosphere of the woodlands with the birds in the distance, while the sustain pedal provides the gentle, legato sound.

Piano Teacher in Wallsend NSWThe middle pedal:

This pedal has a different purpose depending on whether you are playing a grand piano or an upright.

  • On a traditional grand piano, the middle pedal is known as the sostenuto pedal. It acts as a damper for only the notes your fingers are playing as you depress the pedal. For example, if you  play a chord in the bass and then depress the sostenuto pedal, you can then play crisp, staccato notes in the treble but only the bass chord will remain sustained.
  • Older upright pianos didn’t normally have a third, middle pedal. For those uprights that do have three, the middle pedal is commonly known as the practice pedal. It mutes all the strings, allowing you to play as normal (including using the other two pedals) but softening the overall sound substantially. There is a notch to the left of the pedal so it can be locked in place. It is great for practising without disturbing your neighbours.

A good ‘pedalling instinct’ is based on knowledge, a very good hearing and mindful practice. This is why it is not used extensively with beginners. They need to develop an understanding of the music and how they play before introducing the pedal to enhance it.

The most important thing about pedalling is to not overuse it. It only takes a little overuse of the sustain pedal for everything to sound blurry. Always ask yourself how using the pedal is going to improve what you are playing.

If you are considering music lessons for your child or for yourself, please contact me to discuss the options. Piano lessons are conducted at my studio in Wallsend, NSW.

What’s the Rush for Exams? – Piano Teacher in Wallsend, NSW

“How soon will she be able to sit her first exam?” is a question often posed by new or prospective student parents, often with a memory of their own days learning the piano.

When I was a kid, it was normal to start lessons at the start of the year after turning seven. We concentrated on one extracurricular activity (or only a couple) and we could practise every day. In the middle of the following year, we were usually ready to sit the Preliminary grade AMEB exam.

But these days the answer to the ‘when’ question is as uncertain as the length of the proverbial piece of string and there are a number of reasons why.

Piano teacher in Wallsend NSW

  1. The AMEB Preliminary exam has been growing substantially and steadily more difficult. Pieces that appeared in my old First Grade books are now more likely to be found in the Preliminary repertoire. It was rare to venture beyond the basic five finger position and both key and time signatures were beginner level. In comparison, one of the pieces in the current Preliminary syllabus has interchanging compound and simple time signatures and two different pentatonic key signatures, as well as extending to both extremes of the keyboard.
  2. Kids these days have quite heavily-scheduled lives. They often have a list of extra-curricular activities that take up so much time, there is little time left for home practise. If they can’t practise effectively, they won’t improve at the rate that may be expected. Just turning up to lessons isn’t going to do the job. A student who can manage 90 minutes a week of quality practise will take double the time to progress as a student who can manage 3 hours (and this commitment to practise is pretty much out of the control of the piano teacher).
  3. Students are often starting lessons at a younger age. While I still prefer to not start them until around seven, many kids are starting as young as 4 and 5. This is a major factor in their exam-readiness. While there are many benefits to starting kids in music lessons earlier, without those language and maths basics behind them, it takes longer for them to learn concepts and many weeks of reinforcement activities are often required for each note or concept. Looking at the practise aspect, younger children’s attention spans are shorter and it can prove counterproductive to insist they sit at the piano for a specific amount of time. They also benefit greatly from having a parent sit with them and guide them through their practise, which becomes difficult when both parents need to work.
  4. Both parents working often means kids aren’t coming straight home after school. Afternoons spent at facilities such as OOSH offer no opportunity for scheduled practise time and the precious few hours left at home are rightly dedicated to family time.

Piano teacher in Wallsend NSWThe first point above makes the combination of issues somewhat specific to Australia, as the Australian Music Examination Board (AMEB) is the dominant player in providing instrumental assessments in Australia only, but the problem of less available practise time and younger beginners is lamented by teachers worldwide, whether in relation to exams or just general progress.

We can no longer expect piano students to follow the same progression as all the generations before them. Whereas once upon a time it was not uncommon for a beginner aged seven to spend eighteen months acquiring the basics and practising 20 – 30 minutes every day of the week to be ready to sit for their Preliminary examination (which were much easier), these days it is a rare student who is ready to be entered for this first examination within any less than two-and-a-half to three years of tuition.

If you are considering music lessons for your child or for yourself, please contact me to discuss the options. Piano lessons are conducted at my studio in Wallsend, NSW.

Top Tips for Efficient Practise, Particularly for Adults – Piano Teacher in Wallsend, NSW

So many resources are available for helping kids practise. There are games, gimmicks, activity sheets and loads of tips for their parents. But what about the adult students? It seems as though the adults should be disciplined to practise, because they are choosing to learn, but the fact is adults have a lot of other pressures and demands on their time. It is often also a lonely pursuit – they don’t have parents involved and encouraging them.

Adult students in particular need their practise to be of good quality and very effective, as it’s often a struggle to find both the physical time and also the mental alertness required on a regular basis.

Piano teacher in Wallsend NSWFollowing are some tips that can help you make the maximise the effectiveness of your practise time:

1. Be organised – Practicing the piano efficiently is all about organising yourself to get the best results from the effort expended. It’s essential to be very clear about your daily practice objectives. Writing a daily practise plan helps you to zoom in on your most important tasks tasks and will give you a feeling of accomplishment as you complete each one. Your teacher can help you with this.

2. Don’t try to multi-task – Discipline yourself to complete each practice goal before moving on to the next. If you can meet the goals on your (for example) Czerny study before moving on to your Mozart sonata you will find it far more effective than bouncing back and forth between the two. Don’t try to get each task perfect the first time; you just want to see you are improving and well on track to meeting your overall goal.

3. Only practice with full concentration – If your practise session doesn’t demand large reserves of concentration, then you’re not practising properly. Five minutes of concentrated practise is far more valuable than five hours of moving your fingers while your mind wanders. The mind must be active at all times, since it is first and foremost the mind that play the piano. I think this is one of the most difficult tips to master, especially for adults.

Piano teacher in Wallsend NSW4. Schedule your practise sessions – While this seems self-explanatory, this technique will only work well when in conjunction with the tip above – if you schedule in time, you must be prepared to give that time your full concentration. For some, the best time may be first thing in the morning when the mind is fresh (and you will feel accomplished at  having started your day by completing a major task) while others may need to wait until the kids are in bed and the household jobs completed.

5. Always warm up first – Well warmed-up hands will allow you to accomplish the physical tasks demanded by difficult pieces with greater ease and with fewer errors. I find that scales and arpeggios make for the best warm-up. Even normal lessons here are usually started with exercises and scales (although warming up is only one of their many uses).

6. Practice slowly – It is a known psycho-physiological fact that the brain cannot absorb musical information in detail when playing fast. It is therefore essential to work slowly and carefully at all times. Speed can always be built up later, but forcing it too early jeopardises learning the piece correctly.

Piano teacher in Wallsend NSW7. Keep a practise journal – A practise journal is a log of your practice sessions, including what you practise and for how long. It can be a notebook, a Word document, a spreadsheet or whatever works for you. At the end of each practise session, write down which pieces you worked on and how long you spent on each one. This can serve to force your mind to focus and may also help with planning future practise goals (in fact, it can be an interesting exercise to compare it to your original goals).

8. Practice only short passages – The brain absorbs musical information more readily when it is not overwhelmed by quantity. Each day, practice just one passage, and practice it with care and thoughtfulness. This makes for far more efficient practise in the long run.

Piano teacher in Wallsend NSW9. Study away from the piano – This has been covered in more detail previously here. Some of the most efficient piano practise can be accomplished without a piano. You can do this by analysing the music and listening to it in your mind. Hear each voice in your mind and sing along and you might be surprised when you notice recurring themes and relationships, harmonic subtleties etc. You want to know you piece equally well with or without the music in front of you.

Most of these tips involve adjusting your mindset and – like many effective tools – require some effort. But the achievements are so much more rewarding when you appreciate the effort involved. I promise it’s worth it!

If you are considering music lessons for your child or for yourself, please contact me to discuss the options. Piano lessons are conducted at my studio in Wallsend, NSW.

What Piano Should I Buy? Acoustic vs Digital – Piano Teacher in Wallsend, NSW

A pianist will learn to play on the instrument on which they practise, not the one on which they take lessons.

Buying a piano is an exciting task, but it can also be overwhelming. All pianos are not “created equal”. Like most things in life, there are the good, the bad and the in-between.

A question often asked is whether a digital or acoustic piano should be purchased. As with most purchases, there are pros and cons with both options; both acoustic pianos and digital pianos have their strengths and weaknesses.

Piano teacher in Wallsend NSW

As with many things these days, there seems to be a growing thought that the digital version of anything is better. This is not the case. Take cameras, for example. Digital cameras are growing in popularity because they do a lot of the work for us and are increasingly affordable, but despite the huge file sizes now available, they are still not producing the same standard as a quality film camera.

An acoustic piano has around 10,000 working parts and one that is masterfully crafted has expressive qualities – tone, action and aesthetic appeal – to which an electronic imitation cannot hold a candle.

Piano teacher in Wallsend NSWAs good as digital pianos have become in simulating the sound and feel of an acoustic piano, there is nothing that can totally match the real thing. The majority of electronic instruments lack the tone and touch of an acoustic piano, as well as the feel and the ability to convey subtle emotion and feeling. An acoustic piano has strings and hammers, while a digital piano has none. Having actual strings means that there are thousands of things in an acoustic piano (such as sympathetically vibrating strings) that are difficult to reproduce convincingly on a digital piano.

Piano teacher in Wallsend NSW

The intricate mechanism of a piano key. Image courtesy of allegropianoworks.com

I own both. I love both for different reasons. I regularly teach on the acoustic piano, but have occasionally needed to use the digital, which is not top of the line, but still a quality instrument from one of the top manufacturers. With the exception of a seven-year-old beginner, every student who has used it has commented how “it just doesn’t feel the same”.

However, digital pianos have their specific purpose as well and as technology continues to push itself forward, they will continue to improve. A good digital piano can actually have a better piano tone and touch than a poor quality new acoustic piano, or a used one in poor condition. You have to compare apples with apples.

Looking at a digital simply as a piano (without all the other bells and whistles), the most common reasons I find people go straight to the digital option are size and cost. It is often assumed that a digital piano will take up less space than an acoustic, but in most cases the space required is identical. Eighty-eight piano keys take up basically the same space, no matter what cabinet they are in. As for cost, while the initial cost of an acoustic piano could be a little more than the purchase of an electronic piano, this difference is usually marginal and the digitals don’t hold their value as well. This is frustrating, because you know you have an instrument that still plays beautifully, but like most new technology, the second a more advanced digital piano is released, the older one will become obsolete. An outdated keyboard is often difficult to sell.

Of course, digital pianos have a whole range of other options that make them useful and fun – they are the reasons I have one – but if the decision is being made regarding an instrument on which to learn, these extra features

The truth of the matter is, what you pay for with one option, you do not get with the other and vice versa. The easiest way to compare is to set out the pros and cons of each.

Piano teacher in Wallsend NSWWhichever way you go, if the piano is incapable of delivering a good response to touch, the student will not improve.

If you are purchasing the instrument for your children, it is generally recommended that you purchase an acoustic piano. This is because children especially require the real touch and sound of a piano. Their sponge-like brains mean they quickly become accustomed to that with which they are presented. They will begin to expect the lightly weighted feel of an electronic piano, and when it comes time to complete examinations, they will have a very hard time adapting. The AMEB examine above Grade 4 on acoustic only, so that gives some indication of what the examiners are considering and assessing at this level.

If you are considering music lessons for your child or for yourself, please contact me to discuss the options. Piano lessons are conducted at my studio in Wallsend, NSW.

Filling Your Child’s Practise Tank (Part 2) – Piano Teacher in Wallsend, NSW

You have invested in piano lessons for your child and you believe in the benefits of music education. You love to see your child enjoying music, how hard they work and the joy it brings them.

Piano teacher in Wallsend NSWA couple of weeks ago, I posted – here – about ways you can show your kids how much you value the effort they are making with learning the piano and how these strategies can help to refill their “practise tank” when it is running low. Ramp up your involvement by trying some of the following ideas:

1. Balloon Surprise – Fill a kitchen cupboard with balloons that will spill out when your child opens the door. Ask him or her to help you with dinner and wait for the cupboard to open. On each balloon write one thing you love about your child’s piano playing (e.g. “I love to hear you play when I’m making dinner” or “I can hear so much emotion when you play” etc). Read all the messages together.

Piano Teacher in Wallsend NSW2. Surprise Sheet Music Shopping – When you collect your child from school, head off on a surprise trip to your local music shop and offer then the opportunity to choose any piece of sheet music or music book they like. Spend some time with them browsing through the options and finding just the right thing to take home. (Music stores are a treasure trove and can be overwhelming on the first visit, so ask the sales assistant to point you in the right direction for your child’s level).

3. Monday Morning Mirror Message – Use a white board marker to leave a message on your child’s mirror or the bathroom mirror before he or she wakes up. Write something like, “It makes me so happy to listen to you playing the piano.”

Piano Teacher in Wallsend NSW4. Post Office Package – Create a little package of special treats and a note about your pride in your child’s piano accomplishments. Mail it to your child and let them discover it in the mail box.

 

5. Build Excitement – If a recital, performance or exam is drawing near, build excitement with a countdown. Use a whiteboard, blackboard or even just a piece of paper on the fridge with “___ days until Jane’s piano recital” written on it. You could also use a calendar and cross off the days. Either way, the important thing is showing you value involvement in the performance aspect of music and this will ensure participation well into the teen years.

6. UnBEARable – Probably more fitting for younger kids… Find some teddy bear stickers and attach one to each of ten Post-It notes. Write, “It’s unbearable without your piano music. Please play for us” on each note and hide them around the house in unexpected places. Each time your child comes across one, they can play a piece for you.

7. Buddy Practise – Piano practise can be lonely, but a buddy on the bench can make a lot of difference. Even if you don’t possess a snippet of musical know-how, your child will appreciate you being there with them and will love answering your questions. Your child’s teacher will be able to give you questions and activities to help you show your involvement.

Piano teacher in Wallsend NSWAs mentioned in the first list of suggestions, most of these ideas require some planning and effort, but it will be so worth it when your child sees how much you value their hard work. It’s natural for their practise tank to run low; they only spend thirty minutes of the week receiving one-on-one encouragement from their teacher and the rest of the week it’s up to them to keep it going. So pick a few of these ideas, give them a try and watch your child’s confidence soar.

If you are considering music lessons for your child or for yourself, please contact me to discuss the options. Piano lessons are conducted at my studio in Wallsend, NSW.

App Review – “The Most Addicting Sheep Game” by Just So – Piano Teacher in Wallsend, NSW

Run. Jump. Roll.

Jump… double jump… swipe….

Ping!  Boing!  Whoosh!

Piano Teacher in Wallsend NSW

The Most Addicting Sheep Game is a seemingly simple rhythm app for the iPad where jumps and rolls must be perfectly timed to the music by tapping or swiping on the screen. It is easy to learn, but tricky to master.

On the surface, the connection to traditional music education could be considered faint, as it does not involve written rhythm and connecting that to an aural beat, but it is still definitely all about rhythm. The rhythms are very precise – a fraction of a second off and your sheep will fall through the cracks – and the higher levels are very difficult, so I feel it definitely has its place as a music education app. It is aural, rather than theoretical.

The premise is that you control a sheep that jumps to the beat, either with a single finger tap, two-finger tap, or swipe. The aim is to work through all the increasingly difficult levels, while also scoring maximum points. Plus, it has cute sheep!

Piano Teacher in Wallsend NSWThe sheep can jump at either one, two or four beats and can also jump two different height levels. An obstacle on the path – such as a tower of balancing sheep – requires a swipe to knock down. This means, as with most things to do with playing music, your brain is concentrating on multiple things at the same time. The picture above shows one beat and two beat lengths, a double jump and single jumps plus swipes. All of that would take less than five seconds to execute. Plus it all has to be done strictly in time with the music!

Piano Teacher in Wallsend NSWThe graphics are cute and the music is catchy. At first the music can be annoying – especially when you aren’t being successful – but all of a sudden you will find it’s an integral part of the mood and the fun.

While you can get through to the end of a level by ignoring the height of the jump and always using two fingers, you will be penalised and won’t obtain the full score possible. If you’re anything like me and always want to see three stars at the end of a level, this just won’t do the trick.

The game begins with a Training mode, which has six different rounds within it. This mode teaches the basics of the single jump, double jump and swipe and then combines them all together. The levels after that are titled:

  1. Mild;
  2. Tricky;
  3. Wicked; and
  4. Grim.

Each of these levels contains six rounds. All levels, including training, also have an ‘infinity bonus’ level that doesn’t have the usual pre-determined ending, but will continue until you miss a jump and lose your sheep.Piano Teacher in Wallsend NSW

You can find it here in the Australian app store. It is not a free app, but costs only $1.29, a small cost for the amount of time it will keep you occupied.

If you are considering music lessons for your child or for yourself, please contact me to discuss the options. Piano lessons are conducted at my studio in Wallsend, NSW.

Filling Your Child’s Practise Tank (Part 1) – Piano Teacher in Wallsend, NSW

Kids who are involved in sport tend to get a lot of “proud parent moments” – Mum shouting encouragement from the sidelines or Dad giving an enthusiastic pat on the back post-game. Piano kids don’t get this as much. They slog away day after day perfecting their skill with little glory until it is time for an exam or a recital. So what can we do to change this?

The key is in having your child see that you truly value the piano and that you understand the commitment it takes to learn an instrument. Most importantly, let them regularly see how proud you are of their effort.

Piano teacher in Wallsend NSWYour child has a piano practise tank.  It’s usually about 3/4 full – fun pieces, enjoyable lesson activities and a love for music keep your kids going.  But occasionally that practise tank dips and the indicator light comes on telling you that a fill-up is due.  What can you do to fill this practise tank? Try some of these ideas:

1. Sneak-a-Practise – Leave your child a note on his or her pillow on a weekend night that says, “Tonight you get to stay up late. When everyone else is asleep, you and I are going to sneak to downstairs/music room/lounge room so I can listen to you play the piano.” Serve warm milk and a snack in the piano room and light it by candle light only. This will be a very special memory for your child.

Piano teacher in Wallsend NSW2. Piano Pancake Surprise – On a weekend morning when the routine is more relaxed and you are still all in your pyjamas, surprise your child with ‘piano pancakes’ topped with chocolate chip crotchets (or quavers, or rests or whatever symbol they know that takes your fancy). For each pancake on the plate, have your child perform a piece for the family while you all watch.

3. Exclaim with Pleasure – It doesn’t always need to be something fancy. Sometimes a genuine,  enthusiastic and unexpected, “Wow, that was amazing!” part-way through their practise is a great motivator.

4. Check In – If you are on your way home from work and your child is already home, call him or her (hands free) from the car and make a special request for some driving music as you continue on your way home to them.

Piano teacher in Wallsend NSW5. Tech Free Practise Time – Whenever your child sits down to practise, make the household tech free. Turn off the television, mobile phones, computers… everything. Let the home be filled with the music they are creating and allow yourself to be fully present. This also shows your child that you value what they are doing and how hard they are working.

6. Start a ‘Warm Fuzzies’ Bag – Hang a pillowcase from the top of the piano. For each practise undertaken during the week, write a note about something you noticed was done well (e.g. how your day was brighter for hearing the music, a piece was improved, he played your favourite etc). At the end of the week your child can open the bag and read all the notes.

Piano teacher in Wallsend NSW7. Host a Piano Picnic – Invite the whole family to a ‘Piano Picnic Dinner’. Spread a blanket on the floor near the piano and serve some special picnic fare – cheese and crackers, tea and biscuits. In between bites, have your child provide the dinnertime entertainment. You may even like to make it a fancy occasion, drinking your tea with your pinky raised and speaking in a dignified manner… “Oh, daaahling, that was simply splendid… just magnificent playing, daaahling!” It will give them a good giggle as well as making them feel proud.

Of course, these ideas all take a bit of effort and some preparation. But think about the amount of effort your child is putting in to master an instrument like the piano. By showing how much you value their involvement in piano, you are laying a strong foundation for years of musical enjoyment, as well as strengthening their self esteem and self image.

So pick one or two of these and give them a try. In a fortnight I will give you another seven ideas, so be sure to check back in.

If you are considering music lessons for your child or for yourself, please contact me to discuss the options. Piano lessons are conducted at my studio in Wallsend, NSW.